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Manufactured

This humble little bulletin board is a patchwork account of the things we make—the process of culture. Cultura, from Colere, meaning to inhabit, protect, honor with worship; it’s about the tending of something. We make art in all its forms. Our myriad metaphors: these things I love. 

But we also make war. We make death. Then a writer like Luke Mogelson comes along, sees what we’ve made, and writes a piece like this:

                   


At Emergency’s hospital in Kabul, it’s not unusual to find Afghan national security forces recovering in the same ward as Taliban insurgents, and after a while, the ideas that make enemies of the two men lose their relevance; the daily spectacle of their impact on human bodies invalidates them.”

explore-blog:

John Baldessari believes that every young artist should know 3 things:

  1. Talent is cheap
  2. You have to be possessed, which you can’t will
  3. Being at the right place at the right time

Tom Waits narrates a quirky 6-minute documentary about contemporary art legend John Baldessari

[Flash 9 is required to listen to audio.]

William Onyeabor- Fantastic Man

Tomorrow (1979)

(Source: nevver, via wnycradiolab)

Glassel Park, LA (2012)
photo by Ezra Carlsen

Glassel Park, LA (2012)

photo by Ezra Carlsen

[Flash 9 is required to listen to audio.]

The Hitch-Hikers- Mr. Fortune

orientaltiger:

Camera Obscure with Abelardo Morell: He covered all his windows with black plastic in order to achieve total darkness, he then cut a small hole in the same black plastic material, an image of the outside scenery was reflected directly on the opposite wall, but it was upside-down.

(via souquime)

(Source: nzafro)

The Pleasure of the Text

by Roland Barthes

   Is not the most erotic portion of a body where the garment drapes? In perversion (which is the realm of textual pleasure) there are no “erogenous zones” (a foolish expression, besides); it is intermittence, as psychoanalysis has so rightly stated, which is erotic: the intermittence of skin flashing between two articles of clothing (trousers and sweater), between two edges (the open-necked shirt, the glove and the sleeve), it is this flash itself which seduces, or rather: the staging of an appearance-as-disappearance.

    The pleasure of the text is not the pleasure of the corporeal striptease or of narrative suspense. In these cases, there is no tear, no edges: a gradual unveiling: the entire excitation takes refuge in the hopeof seeing the sexual organ (schoolboy’s dream) or in knowing the end of the story (novelistic satisfaction). Paradoxically (since it is mass-consumed), this is a far more intellectual pleasure than the other: an Oedipal please (to denude, to know, to learn the origin and the end)… 

themissourireview:

This is incredible. 

rerylikes:

Motoi Yamamoto - FOREST OF BEYOND. salt (2011)

Solo Exhibition To the White Forest, The Hakone Open-Air Museum, Kanagawa, Japan
Photo : Makoto Morisawa

Rome (Danger Mouse and Daniele Luppi)

Two Against One ft. Jack White

Artist Simon Beck has been creating snow art in the mountains and ski lodges of France, creating elaborate patterns by walking around in snowshoes. 

(via flavorpill)

Nº. 1 of  17